Tag Archive | "dancing"

Go NoSQL Style – The Geeky Gangnam Version

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This could have been an absolute flop – a parody of itself. But this Gangnam-style video about the NoSQL database is actually not so bad. It’s goofy and amateurish. But that’s what makes it so awesome.

The makers say on their YouTube page that it all began as a joke and turned into what they call the “geekiest, and possibly the only educational Gangnam Style parody: NoSQL Style.”

Geeks need to make more of these kinds of videos. In this case, the lyrics, the video and the dancing all come together to give some life to the all too unreachable world of NoSQL databases:

It’s the rage now so turn the page now
And boost your stack, hey
And boost your stack, hey
It might sound frightening but it’s the right thing
To modernize, hey
Your enterprise, hey
Or you can stick with what you’ve got and make a great big mess, mess, mess
Go No SQL style

Yes, this is super geeky. But what a laugh to see this cast of characters dance Gangnam style in an office park….about NoSQL!

Although the filming of this video was a fun and awesome experience, we also faced adversities such as parenthood, professional obligation, and social responsibility. Filming in public venues left no room for shyness or embarrassment on set. What word best epitomized the crew? Shameless.

Well, to quote these  geeks I just say this:

Solve your biggest data problems right away, way, way, way, way….

Go NoSQL style.

Article courtesy of TechCrunch

An Unlikely Tech Hub, Utah Shows Its YouTube Prowess

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YouTube Utah

Editor’s note: Jesse Stay is Author of Google+ Marketing For Dummies and the upcoming book, I’m on Facebook — Now What??? 2nd Edition. He currently serves as Director of Social Media for Deseret Digital Media. Follow him on Twitter @jesse.

They call themselves “Utubers.” As budding filmmakers descend on Utah for the Sundance Film Festival, many other Utah-based filmmakers have already made a name for themselves, boasting millions and millions of views of their products. But why are there so many that have made a name for themselves, and why in Utah? There’s indeed something in the water out here. Something very strange.

Utah, known for its beautiful mountains, skiing, and, well, Mormons, is often last on Silicon Valley’s mind when it comes to technology. As a Utahn that almost seems a bit offensive to me, with all the tech companies like Adobe and Oracle and Xi3 and Fusion IO and many others here. But it’s true. As someone whose best friends and audience are in Silicon Valley, I have to admit that we’re just not quite seen as a tech hub.

However, there is a group of people networking and collaborating with each other in Utah, the likes of which are found in Silicon Valley. I’m beginning to notice the emergence of an incredibly popular and growing YouTube presence out of the state.

It all started several months ago, when I originally approached TechCrunch about this article. I noticed that in Billboard’s “Social 50″ music chart that two of the top 50 music stars on YouTube were from Utah: Lindsey Stirling and The Piano Guys. Even stranger? They were among the few on that list who weren’t already celebrities or famous musicians. That got my attention.

Pretty soon I began to investigate this weird fact here in my home state. It turns out there are many more. Just to name some of the top stars you may be familiar with:

  • Lindsey Stirling - Known for her videos (originally produced by Devin Graham) in the beautiful scenery of Utah dancing around while playing violin, she reached No. 13 on the iTunes charts with no record label and only a YouTube channel to propel her presence there. See her video below.
  • Devin Graham - You may have seen his videos with rope swings off Utah arches or ziplining on waterskis into the water. Everything he touches turns to YouTube gold.
  • Teddie Films - My favorite is their Star Wars-themed “Somebody that I Used to Know”. They make hilarious music parodies.
  • Orabrush - Also originally produced by Devin Graham and starring the infamous Austin Craig (you might also know him from the Teddie Films-produced “NBC Olympic Style“), Orabrush is well known for their tongue-brush cleaner commercials, and taking a brand to success solely through YouTube.
  • Blendtec - Indeed, they do blend. Check out the video Robert Scoble did with their founder (and me at his side) here.
  • Cute Girls Hairstyles - I just discovered and met these guys recently, but their audience is huge. Each episode is a new cute kids hair style you can try for yourself. They started as a husband and wife just sharing videos of their kids getting new hair styles.
  • The Piano Guys - You may have seen their crazy videos of the piano on top of a cliff, or maybe their Cello Wars videos. We clearly love Star Wars here in Utah.
  • Kid History - Adults acting out what their kids are explaining – totally hilarious.
  • Stuart Edge - Known originally for his “Mistletoe Prank” video, he makes hilarious pranks, and his subscriber numbers have recently exploded.
  • ScottDW - An aspiring filmmaker and producer of some of Lindsey Stirling’s videos, you may know him from his “Fruit Ninja in Real Life Dub to Dubstep” and many of the rap songs you hear in Devin Graham and other popular YouTube videos (he is also an aspiring rap artist).

And the list goes on. So where did these guys come from? Why is Utah suddenly becoming the new Hollywood or Broadway for YouTube videos?

After a little research I came down to a few reasons. I asked Austin Craig, the guy you see in the Orabrush videos, how all this happened:

George Wright studied at BYU (I think he did Marketing). He started the Blendtec Will It Blend campaign. Jeffrey Harmon came out of Marketing at BYU. He did Orabrush. Devin Graham studied Film at BYU and was the first video guy at Orabrush. Devin launched his own channel and became a star.

Lindsey Stirling studied at BYU, and after repeatedly being told she should start a YouTube channel, met Devin. Devin shot, produced, and edited many of her early videos, launching her to stardom. The Piano Guys also consulted Devin and some members of the Orabrush team on how to grow their channel. They are now signed with Sony.

ScottDW (makers of the Fruit Ninja video) studied film at BYU with Devin, and his collaborations with Devin have taught him a lot. Stuart Edge is studying at [Utah Valley University], and started making his own videos when he started working at Orabrush just a few months ago.

Teddie Films sought advice from Ricky Ray Butler of Plaid Social (another common thread of many of these stars), who studied marketing at BYU and worked on some Orabrush projects. Their parody hits have launched them to millions of views.

Kid History did it all on their own, so far as I can tell. They just had really funny videos. Cute Kids Hair Styles is the same way. Built up their own audience.

So I guess you could trace it down to a number of factors: the first being that many of them were employees of Orabrush or Blendtec and were able to start networking while there. Others met Devin Graham (who came out of Orabrush) and grew to become stars as a result of his influence. Others just built really cool stuff, maybe from drinking the water?

The final common thread, at least among many of them, seems to be the attendance at BYU. Provo, Utah, is a college town after all. In the course of their growth, it turns out that many of these YouTube stars attended BYU. Shortly after, many of them took off on their own careers with Orabrush, Arches rope swing videos, blended iPads, and Dancing Violin Zelda Dubstep videos (well, maybe not quite that extravagant). Could some of that success be attributed to BYU itself?

BYU, owned by The Church of Jesus Christ of Latter-day Saints (the Mormons - yes, Mitt Romney and Harry Reid’s faith), is home to perhaps the most concentrated group of young, educated Mormons on the planet. Unlike most schools, BYU prohibits the use of drugs or alcohol by its students as part of the Mormon faith. Without drugs or alcohol to entertain, it seems students there are finding other creative ways to entertain themselves – like with YouTube videos. And entertain they do. In fact, a few well known videos you may have seen have come from the school itself.

Even The Church of Jesus Christ of Latter-day Saints has built up quite a YouTube presence of its own, with millions of views and ranking in the top spots under religion for Youtube consistently. Also just recently The Mormon Tabernacle Choir launched its own Youtube channel. Maybe the culture in Utah just breeds a culture of sharing, joy, and fun that comes from all of these YouTube stars. That’s not to say that all of those stars are even Mormon, however.

Whatever it is, it’s just weird. It’s almost as if the same way Times Square is the hub for all things Broadway, Provo, Utah, in the heart of what locals call “Happy Valley,” has become that for YouTube. It seems more and more YouTube successes are coming out of this area in a manner Utah has never seen before. Watch out Silicon Valley nerds! There is indeed something in “the stream” out here, and it’s not just the great trout fishing.



Article courtesy of TechCrunch

Build Your Own Dark Paper Craft Gods With Foldable.Me

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FoldableTeam

I’ve been avoiding writing about Foldable.Me for a while because I find the process of paper craft to be in the realm of obsessive hobbies that require a degree of intensity and sufficiently unsweaty palms that I simply do not possess. But, we must ask ourselves, what if a startup did the hard, hard work of printing out laser-cut paper craft models for you without all that mussing about with an Exacto and an aversion to mature adult relationships?

That’s where these guys come in. The site allows you to design, print, and fold your own paper homunculi for a mere $11.99. The service offers a unique 3D editor so you can add mustaches, clothes, and hair. Shipping is free and your intended recipients get little sheets of paper with their paper craft dolly ready to pop out and build.

The company offered to send us little figures of ourselves, but I found the prospect of staring at myself in paper craft form for hours on end akin to staring into the Nietzschean abyss but without the potential for self-discovery.

The project started as a Kickstarter last March and is now completely commercially available. It’s the brainchild of Kejia Zhu, a London designer (where, I am told, paper craft is quite popular with the gentry) and aims to disrupt the paper foldable figure industry wholesale, a noble if short-sighted goal.

Some day, when they write the definitive book on ecommerce efforts in the 21st century, I hope that Foldable.Me is up there with the gift greats – InflatableGrapeBowls.com, DancingPigECards.com, and LifeSizedHumanFiguresMadeOfBakedPork.com.



Article courtesy of TechCrunch

Please Stop With The Dancing, Microsoft

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penis

Look, I get it, Microsoft. You want to show people who you know how to have fun, that even Microsoft can smile once in a while. But seriously, stop with the dancing routines. Your target audience doesn’t dance. We, at best, sway with the music, but never dance.

As GeekWire points out, the latest nightmare happened earlier this week at the Norwegian Developers Conference where several dancers took the stage and performed to a song with such classy lines as “The words MICRO and SOFT don’t apply to my PENIS! (or vagina)” and “We are here to party and coding is our drug!” Laughter can be heard throughout the video as the attendees stand nearly motionless, likely in shock as if they were witnessing a train wreck in slow motion.

This comes the week after Usher took the stage during Microsoft’s E3 keynote for a nearly equally embarrassing show.

I was sitting in the audience for Usher’s 20120 E3 performance and can attest that most of the gaming industry found the show a bit misplaced; no one got out of their seat as Usher instructed several times. John Biggs said it best, though.

“I really loved seeing Usher on stage at Microsoft's #e3 event!” – Nobody


John Biggs (@johnbiggs) June 04, 2012

And of course there is this classic 2009 video of a Microsoft Store breaking out in an not-so-impromptu flash mob-ish dance. At the time I stated the store was trying too hard, but now, three years later, as Microsoft Stores have failed to be capture shoppers like the Apple Stores Redmond is clearly coping, I think they should be applauded for at least trying something.

Please, Microsoft, I beg you. A sweaty Steve Ballmer yelling and jumping around is better for your brand than employing a dance troupe to rally your remaining fans.



Article courtesy of TechCrunch

Music, Halloween, Friend Photos and More on This Week’s Emerging Facebook Apps by MAU

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A few inactive applications, as well as friend photo apps and Halloween-related apps were on our list of emerging ones by monthly active users this week.The apps on our list grew from between 139,900 and 430,300 MAU, based on AppData, our data tracking service covering traffic growth for apps on Facebook. We define emerging applications as those that ended with between 100,000 and 1 million MAU in the past week.

Top Gainers This Week

Name MAU Gain Gain,%
1.  State Farm Welcome 430,000 +413,279 +2,472%
2.  Static IFRAME Tab : Pin Icon 830,000 +319,019 +62%
3.  Tracks.by 890,000 +299,911 +142%
4.  Halloween Treats 650,000 +284,390 +78%
5.  3D Slots 780,000 +275,521 +130%
6.  Disfrázate 440,000 +268,998 +157%
7.  Spa Life 350,000 +223,028 +176%
8.  7 Wonders Around Me 950,000 +219,613 +43%
9.  Har Ek Friend Zaroori Hota Hai 680,000 +197,803 +100%
10.  Heroes of Neverwinter 430,000 +190,198 +145%
11.  House of Fun – Slot Machines 800,000 +179,519 +57%
12.  Name Meaning 310,000 +178,404 +136%
13.  ASOS Fashion Friendsy Win free fashion for a year! 300,000 +175,494 +141%
14.  Friends in my NAME 560,000 +173,063 +66%
15.  Pieces of Flair 710,000 +167,600 +31%
16.  Serf Wars 270,000 +166,708 +161%
17.  JibJab 590,000 +158,584 +37%
18.  Abrazotes! 700,000 +147,300 +27%
19.  Dirty Dancing 1,000,000 +147,262 +17%
20.  Zoozoo Friends 140,000 +139,916 +166,567%

The top app on our list this week was State Farm Welcome, which didn’t appear to be working as an app directly on Facebook. Nonetheless the app grew by 413,300 MAU. Then there was a Page tab app, Static IFRAME Tab : Pin Icon, with 319,000 MAU. Music app Tracks.by grew by 299,900 MAU. Then a few Halloween-themed apps were on our list. Halloween Treats asks users to invite their friends before using the app, thus growing 284,400 MAU. Abrazotes! also asked users to invite friends, but also incorporated an auto-share pop-up and published a feed story when you send a “hug” to a friend; it grew by 147,300 MAU. Then the Spanish language Disfrázate grew by 269,000 MAU; the app asks users to try different costumes by overlaying them with Facebook photos, then publishing to the stream.

A few apps utilized similar methods this week, incorporating friends and photos, tagging them as they publish photos to the stream. 7 Wonders Around Me grew by 219,600 MAU, Har Ek Friend Zaroori Hota Hai by 197,800 MAU and Zoozoo Friends by 139,900 MAU.

Other apps included Name Meaning with 178,400 MAU, telling your the meaning of your name in different languages, ASOS Fashion Friendsy Win free fashion for a year! is a contest app that grew by 175,500 MAU. Friends in my NAME grew by 173,100 MAU, Pieces of Flair grew by 167,600 MAU and the inactive app by JibJab grew by 158,600 MAU.

All data in this post comes from our traffic tracking service, AppData. Stay tuned next week for our look at the top weekly gainers by monthly active users on Monday, the top weekly gainers by daily active users on Wednesday, and the top emerging apps on Friday.

Article courtesy of Inside Facebook

Photos, Hearts and Calendars on This Week’s Emerging Facebook Apps by MAU

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The general theme in our emerging Facebook application growth by monthly active users seemed to be photo publishing and photo tagging. The apps on our list grew from between 145,400 and 527,400 MAU, based on AppData, our data tracking service covering traffic growth for apps on Facebook. We define emerging applications as those that ended with between 100,000 and 1 million MAU in the past week.

Top Gainers This Week

Name MAU Gain Gain,%
1.  Write Your Name In Fire Alphabet 847,818 +527,351 +165%
2.  Report Card Pick-Up 2011 674,443 +479,889 +247%
3.  The Guardian 791,098 +363,041 +85%
4.  Dog-A-Like 357,037 +351,391 +6,224%
5.  Tracks.by 511,670 +299,911 +142%
6.  Mighty Pirates 999,370 +288,923 +41%
7.  Best Profile Pic(Enhanced) 541,144 +288,366 +114%
8.  3D Slots 488,180 +275,521 +130%
9.  Friend Report Card 741,239 +253,529 +52%
10.  Finger Print Secret 266,581 +235,940 +770%
11.  7 Wonders Around Me 730,601 +219,613 +43%
12.  Har Ek Friend Zaroori Hota Hai 396,115 +197,803 +100%
13.  War Commander 683,881 +197,740 +41%
14.  Heroes of Neverwinter 321,251 +190,198 +145%
15.  House of Fun – Slot Machines 496,248 +179,519 +57%
16.  Friends in my NAME 437,213 +173,063 +66%
17.  Dirty Dancing 773,310 +153,845 +25%
18.  Taringa! 938,967 +151,146 +19%
19.  Hearts 197,840 +149,548 +310%
20.  My Calendar 980,491 +145,423 +17%

Write Your Name In Fire Alphabet topped our list, growing 527,400 MAU; the app publishes a notification of use the feed, then a photo of your name written in fire. Most other apps on the list worked in similar ways.

Report Card Pick-Up 2011 grew by 479,900 MAU, Best Profile Pic(Enhanced) by 288,400 MAU, Friend Report Card by 253,500 MAU and Finger Print Secret by 235,900 MAU. These apps either rate your friends and then tag them in photos, or publish photos to the stream.

7 Wonders Around Me with 219,600 MAU and Har Ek Friend Zaroori Hota Hai with 197,800 MAU do the same thing: publish a photo to the stream and tag your friends. Friends in my NAME works similarly with 173,100 MAU and Hearts with 149,600 MAU publishes a photo of your name written in heart script in addition to an app notification. Finally there was My Calendar with 145,400 MAU; this app generates a calendar featuring your friends and then publishes to the stream.

Other apps on the list included The Guardian newspaper with 363,000 MAU, Australian dog food brand Pedigree’s dog adoption photo app Dog-A-Like with 351,400 MAU, music app Tracks.by with 299,900 MAU and Spanish website login Taringa with 151,100 MAU.

All data in this post comes from our traffic tracking service, AppData. Stay tuned next week for our look at the top weekly gainers by monthly active users on Monday, the top weekly gainers by daily active users on Wednesday, and the top emerging apps on Friday.

Article courtesy of Inside Facebook

Mark Cuban-backed 140Fire Lets You Create Real-time Overlay Ads For Your Video Content

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Launching today is 140Fire.com, a Y Combinator-backed platform that allows advertisers, publishers, and media buyers to create interactive ad content and polls to overlay on streaming or pre-recorded video.

What does this mean? As you can see in the image above, 140Fire’s real-time editor allows BMW (in this case) to create and serve questions based on what’s happening in the video. Here, in the depths of March Madness, Brian Zoubek has just stepped to the line to shoot a few free throws, so the ad asks viewers “how many free throws will he make?”

Like most video ads, the ads will appear as a small bar on the bottom of the screen, but unlike those of its ilk, they allow viewers to remain in the content, answering polls while continuing to watch the video. According to Founder Jason Wilk, this allows brands to collect data on what viewers are thinking in real-time and monetize those high-interest points in video content. 140Fire can then serve up post-roll ads based on viewers’ responses to the polls.

As another example, say you’re watching Mad Men, a show that features its fair share of office drinking (and thus a perfect platform for alcohol-related advertising). Because 140Fire’s advertising is content specific, they might feature an ad from GreyGoose that polls users on their different personality traits in order to come up with the type of GreyGoose cocktail they would most enjoy. You could then check out which of your friends like GreyGoose and were matched with the same drink.

140Fire enables this by using Facebook Instant Personalization, making it one of the first sites of its kind to integrate with Facebook’s new feature. As Instant Personalization takes public data (what you’ve set to “Everyone”) from your account to “personalize” its partner sites (140Fire joins Pandora, Bing, Yelp, Rotten Tomatoes, among others), some have expressed concerns over how this will affect individual user privacy. I, for one, don’t find it particularly threatening, but Facebook could certainly do a better job of explaining how exactly third party sites will use your personal information.

140Fire was founded by serial entrepreneurs Jason Wilk and Paras Chitakar. Since its founding in January 2010, the startup has added Scott Shumaker and Ryan Evans to their roster, the core team behind Flektor. Flektor was acquired by Fox Interactive in 2007 for $20+ million after building a suite of user-friendly content generation tools, including a full-featured online video editor. According to Wilk, Flektor’s technology applies directly to the backend of 140Fire, as it allows for the scaling of simultaneous results and automatic ad creation.

The company is entering a space already occupied by big video advertisers like Tremor, ScanScout, and Kit. But by providing an editor that allows you to easily create interactive ads and publish straight through your ad server or network, 140Fire hopes to separate itself from its competitors.

Recruiting heavyweight investors into the fold helps the cause, too. Today, 140Fire announced that feisty serial entrepreneur and owner of the Dallas Mavericks Mark Cuban will be its lead investor. Robert and Jonathan Kraft, the father and son owners of the New England Patriots and Kraft macaroni fame, and Skip Paul, former SVP of Atari, were also added as investors.

Technology is bringing us closer and closer to a highly personalized, real-time advertising experience. Some may find this a bit creepy, maybe a bit intrusive, but I say bring it on. Though 140Fire’s technology may not be quite as applicable to static video like Hulu, it may very well make live events (like Dancing With the Stars) a more interactive (and interesting) experience.

Information provided by CrunchBase



Article courtesy of TechCrunch

For Mobile Apps, It’s 1996 All Over Again

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This guest post is by Ben Keighran, CEO & Co-Founder of Chomp, a search engine for mobile apps.

1996 was a great year in the life of the web. Netscape had launched two years earlier, Excite@home was going to wire all of our homes with unthinkably fast megabit connections, Webvan was going to deliver farm fresh fruits and veggies to everyone’s house (without delivery charges) and Flooz was going to make wallets (as well as the cash they contained) obsolete. In terms of ground breaking innovative thinking, 1996 was a very good year.

For me, I was in primary school when all of this was happening, and I hoped that one day I could be part of something like this. I’ve always dreamed of changing the world with innovative technology and from my perspective 1996 was the time when an explosion of some of the most innovative thinking the world had ever seen became visible to the public in such a life-altering way.

When most people talk about the dot-com boom and bust they talk about the money that was made and lost in the process. What they don’t talk about so much is the innovation that created completely new and world changing technologies. From my perspective the money is interesting but the real conversation needs to be about the rate at which a new technology is adopted, the speed with which new companies are gaining market share and the disruptions that are happening as new technologies and companies supplant the prior generation’s most popular products.

As I see it, the big question people should be asking is, “Will mobile applications and the technologies that support them change the way people communicate, get information and do business to the degree that the web did starting in 1996?” Personally, I say yes. The dot-com boom was not a singular moment in history, just a notable one—but if there’s anything we can learn from the history of tech, it’s that there’s always something bigger on the horizon.

Today people are asking if we’re in another tech bubble. It’s a distinct possibility, but if we are in a bubble, it’s likely the expansion stage of that bubble and what we’re witnessing looks a lot like what we saw in the late 90’s, right down to the Super Bowl commercials. However, there’s one key difference: in the 90’s it was all about web sites; today, it’s all about apps and the mobile web.

Granted, I see the world through a very particular lens as the co-founder and CEO of Chomp, a technology company focused exclusively on solving the app discovery problem. As a result, I’m quite literally invested in my perspective being the right one. That said, take a look at the data; even if you don’t completely buy into my perspective, it’s hard to argue with the figures.It’s pretty clear that the growth of mobile usage and the rate at which mobile apps are being developed and downloaded continues at a rate that puts the 1996 numbers to shame.

When I look at the stats and compare them with what happened between 1996 and 2000 I feel very optimistic, and based upon what I see, I think we’re witnessing a phenomenon that I like to call the “appification of the web”. Here’s why:

The slide above comes from Mary Meeker’s presentation at last year’s Web 2.0 Summit. During the presentation she also commented that right now the mobile Internet is growing at 8x the speed of the fixed Internet when the Netscape browser was launched in 1994.

Stats related to mobile apps are even more astonishing. By the end of 2009 roughly 3 billion mobile apps had been downloaded from iTunes alone. That sounds like a lot, but even the most optimistic analyst projections were blown away in 2010 when (only one year later!) a remarkable 8.2 billion apps were downloaded.

Since Apple launched their app store in 2008, over 10 billion mobile apps have been downloaded from the store. In late 2010, Pew Internet released a report called “Rise of the Apps Culture”. Among the key numbers in the report, one in particular stood out for me: 35% of all US adults had apps on their cellular phones.

Another study, “Sizing up the Global Apps Market”, had equally impressive stats. The number of app stores, which in 2008 was less than 5, had skyrocketed to nearly 50 by February of 2010. With the recent announcement by AppBistro—that they are launching white label app stores that will make it possible for any publisher to create a custom app store—this number is certain to grow even more rapidly for the foreseeable future.

Looking further out, the numbers go from optimistic (the Yankee Group is predicting that nearly 7 billion U.S. smartphone app downloads will garner $4.2 billion in revenue by 2013), to wacky, (Gartner projects that as many as 17.7 billion mobile apps will be downloaded in 2011, a 117 percent increase from the 8.2 billion apps they say were downloaded last year). Also, according to the Gartner report, mobile app store revenue hit $5.2 billion last year, with an expected increase of about 190 percent to $15.1 billion in 2011. Perhaps even more impressive, Mary Meeker and Matt Murphy both of Kleiner Perkins just presented a slide deck on mobile trends that among other things projects that global mobile traffic will grow 26 times over the next 5 years.

The New Disrupters

Just like in the 90’s when new web technologies threatened—and frequently succeeded—to disrupt entire industries, what’s happening today with mobile applications is creating a laundry list of the next great companies.

    Instagram (which just hit their 2 millionth download), PicPlz and Path look like a next generation of flickr
    Foursquare and Gowalla have created entirely new kinds of social networks built from the ground up with a mobile user in mind
    Square has given everyone the ability to process credit card transactions once again changing the way people conduct personal commerce just as PayPal did in the late 90’s
    Shazam has fundamentally changed how people discover new music, making the process mobile and more spontaneous—further disintermediating record labels and physical stores
    Rovio is looking a lot like the next giant gaming company
    ● Thousands of novelty apps from androidify to doggy squeak toys (seriously) have replaced the dancing babies and flying toasters people were sending around over a decade ago

All of these companies and the applications they have developed threaten to topple the existing business paradigms in their respective niche. It was this same cycle of disruptive innovation that led to the explosion of web sites and web content during the dot-com boom, and it’s disruptive innovation—this time centered around mobile applications—that will power the growth of these technologies and the value they create today.

So how can you capitalize on this next great tech wave? The same way the winners did last time. Figure out what people want and then deliver it to them using the new version of the Internet—the one delivered via apps. If you’re able to give people a better, faster, more tailored mobile experience, you’ll be one of the disruptors. By precipitating change, you’ll create value. Those that do this best will win. After all, someone is going to create the next Facebook and someone out there is building the next Google. Disruption is in the air, and to me, it looks a lot like 1996 all over again.



Article courtesy of TechCrunch

Twitter Gives A Shout Out To Their Internal Warm Fuzzy Jar

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Oh those jokesters at Twitter.

Late last night, blogger Louis Gray stumbled upon what appeared to be an upcoming Twitter feature called “Shoutout.” The evidence was a protected Twitter account with a cute birdie icon and the following bio “Contribute your shoutouts to peeps.” It also happens to have only followers that are Twitter employees. So is it the next big thing from Twitter?

No, says director of communications Sean Garrett. In an email that he clearly had some fun sending to a bunch of people in the media this morning (even though we didn’t reach out to them about it in the first place),

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