Tag Archive | "halloween"

Marc Benioff is returning to Disrupt SF

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Marc Benioff at Disrupt

Putting Online Video Advertising In Context

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By 2018, eMarketer projects that cord-cutters and “cord-nevers” will represent around 20 percent of the U.S. population, while more than 53 percent of all television viewers will also access programming online.

Digital video viewers, more broadly defined as those consuming any form of online video content, will be near 70 percent of the total U.S. population, and video ad spending will top $13 billion.

For companies looking to produce online video as part of a broader campaign, it’s important to understand that online video and video that is online are not the same, even if they’re intended to accomplish similar objectives.

Content and context are everything

Context is extremely important–where and how video ads are being viewed, whether the audience is captive and what the consumer is expected to do next are all points that need to be considered.

It is important to understand that the term “online video” encompasses more than the obvious. Take Home Depot, which has a strategy for meeting consumers in the micro-moment that relies heavily on the production of detailed, multipart “how-to” videos that cover everything from installing a ceiling fan to tiling a fireplace.

Home improvement lends itself particularly well to online video. Lowe’s much loved #fixinsix series leveraged Vine to distribute creative mini-tutorials on things like cleaning dirty grill grates and stripping wallpaper

And online Halloween giant BuyCostumes.com strategically connected with Halloween DIYers to ask them to post tutorials for improving basic haunted house props.

Online video is content placed within a particular context to achieve a specific end. This goes for paid advertisements, owned media and earned coverage.

Any first step, then, should involve the identification of key goals and the definition of your target audience. Since we are focused on video advertising here, we should start with a brief overview of what we mean when we say “the view,” which is often misused because all views are not created equal.

The view and captive audiences

Broadly, a “view” means that someone has seen your video, or at least some part of your video. They are tallied similar to their living room counterparts, based on the assumption that your message and a particular audience have occupied the same space at the same time.

Views are not impressions. An impression simply means that your content has been delivered to an individual, and does not mean that he or she actually watched it.

And what counts as a view varies by platform.

Facebook, which auto-plays any video appearing before the user, defines “the view” as three seconds of completed video. On mobile devices, only 50 percent of this video screen has to be visible for the video to start and the view to count.

Snapchat, which is much less cluttered but no less prone to casual browsing, counts any loaded video content as a full “view.” As Kurt Wagner pointed out in Re/code, this means that even a half-second of exposure is tallied for the total view count.

YouTube’s in-stream ads are non-skippable pre-roll videos up to 15 seconds long. A view is counted if the user does not navigate away from the page before the video ends, or if they interact with the ad (e.g. clicks on calls to action or companion banners).

YouTube’s TrueView ad format, on the other hand, is skippable after five seconds, and advertisers are only charged for completed views or up to 30 seconds–whichever comes first.

It’s equally important to understand that the viewer will likely fall into one of two broad camps: captive (e.g., beholden to view five or more seconds of ad content prior to their video), or opted-in (e.g., having chosen to view an advertisement beyond the point where it can be skipped).

These are broad strokes, but useful ones. Our goal, ideally, would be to engage captive viewers and make ads worth opting into. On Facebook or Snapchat, we have to make fast work of this. We know that visitors are likely browsing and, therefore, we need arresting content. Online attention is likely to be divided and, unlike television, the screen is not dedicated to one thing.

How to view (and use) online video more efficiently

It’s best to think of online video advertising as an awareness tool. In other words, don’t expect immediate action. This doesn’t mean that you ignore it, but it does mean that you should not automatically assume that clicks equal success. Video’s natural habitat is the upper funnel and its core strengths are awareness and interest.

At R2C Group, we talk about the “assisted conversion,” referring to video’s ability to help build a foundation that may support a conversion further down the funnel.

While unlikely partners, video ads are not necessarily divorced from action. A strong, well-timed offer may be delivered via video and–with the right creative, CTA and landing page–leveraged to influence immediate behavior. It’s important, as it is with any effort, to clearly define success and set appropriate expectations.

There are three essential steps for optimizing video against behavior:

  1. Pick your target audience and put the ad in market: This seems obvious, but it’s surprising how many companies forget to start somewhere.
  2. Look for the behavior(s): This may be an action you’ve already defined (and you should define an action if your goal is to drive it) or something else–full video views, for example. Having a target audience allows you to work with these behaviors, whether or not they’re the behaviors you expected when you put your ad in market.
  3. Optimize for the desired behavior(s): This may include a specific audience, refining a message or creative or adjusting a CTA. If you’re in a meeting with an agency strategizing an online video campaign and the words “target,” “test,” or “optimize” don’t come up, you’re not getting your money’s worth.

Most of the time, as stated above, direct action may be hard to come by. That doesn’t mean you can’t evaluate success. Other key performance indicators might include:

  • Ad recall: How many people remember seeing your ad (usually tracked as a percentage increase).
  • Brand awareness: How many people report having heard of your brand before (usually tracked as a percentage increase).
  • Brand interest: How many people report interest in your brand (usually tracked as a percentage increase).
  • View rate: How many people view your entire spot (can be tracked as a raw number or percentage increase).
  • Further engagement: Clicking through to the site is certainly an action, but it may not be the desired conversion action. Do people who click through to your site view additional content, subscribe to a newsletter or become a fan of your Facebook page?

More than anything, be ready and willing to embrace test and learn as you go. While we know that online video is a valuable method of communications, and that there are good (and bad) examples of its usage, there is no one path to take. There are only good tools to take with you.

Mark Yesayian is the managing director of R2C Group.

Image courtesy of Shutterstock.

Article courtesy of SocialTimes

Instagram Spotlight Compilations to Shine More Frequently

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Instagram launched curated content streams called Spotlight Compilations this past Halloween, and the Facebook-owned photo- and video-sharing network appears to be firing up more of them.

Josh Constine of TechCrunch reported that the Instagram community team began “spontaneously coming up with themes” this week, rather than using the feature exclusively for holidays, adding that they are now showing up daily in the application’s “immersive video player.”

Spotlight Compilations spotted in the wild, according to TechCrunch, include “Dynamic Duos–Odd Couple Animal Videos” and “Ramped Up–Rad Skateboarding Videos.”

Instagram communications manager Gabe Madway told Constine:

(Spotlight Compilations are) where you go to discover things you don’t follow but might end up following–things you never expected to see.

Every piece of content there has attribution. That is something we hope will spread the word about the talented people who use the platform.

And that attribution is what differentiates Instagram’s Spotlight Compilations from a similar feature on Snapchat, Live Stories, as Constine pointed out that the sources of content used within that offering are not revealed to Snapchat users.

Readers: Have you come across any Spotlight Compilations on Instagram? What are your thoughts?

InstagramSpotlightCompilations1 InstagramSpotlightCompilations2

Screenshots of “Dynamic Duos” Spotlight Compilation courtesy of TechCrunch.

Article courtesy of SocialTimes | RSS Feed

Google’s November Self-Driving Car Report Details Learnings, A Pull-Over, And A Rear-End Collision

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Facebook Redesigns Moments

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Facebook revealed a design update for its stand-alone Moments application.

The social network released its Moments app in June.

Moments now includes three navigation tabs at the bottom of the app: Home, Browse and Notifications.

MomentsHomeBrowseNotifications

The Browse tab gives users access to all of their photos in Moments, as well as the browse experience that had previously been part of the app’s search function.

MomentsBrowseTab

Facebook also added slideshow themes to Moments: Joyful, Amped, Snazzy, Dramatic and, just in time for Halloween, Spooky.

MomentsSlideshowThemes

Readers: Have you used Moments? What do you think of the app’s new features?

Article courtesy of SocialTimes | RSS Feed

Which Halloween Candy Brands Are Facebook Users Sweet On? (Infographic)

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Besides the obvious, what do M&Ms, Kit Kat and Skittles have in common? Strong social performance leading up to Halloween.

Social influence marketing company Mavrck analyzed the Facebook pages of candy brands, and its findings included:

  • M&Ms led in terms of highest percentage of fan engagement and top fans by influence, with Snickers running a close second.
  • The most likes went to Kit Kat.
  • Skittles generated the most buzz, with M&Ms coming in second.
  • Pages for individual candy brands owned by the same companies were “remarkably similar.”
  • Hershey’s is catching some social media flak for importing chocolate from England and outsourcing production to Mexico, but the company’s social media team has been quick to comment that chocolate in the U.S. is manufactured in the country.
  • Skittles fans expressed disappointment with the new green apple flavor and want lime back.
  • The Facebook pages for M&Ms and Snickers “packed personality and personalization in spades.”
  • Other than changing their cover images for Halloween, neither Milky Way nor Kit Kat has posted new content since this summer.

Readers: Have you interacted with any Facebook pages for candy brands?

MAVRCKHalloweenCandyInfographic

Image of candy in pumpkins courtesy of Shutterstock.

Article courtesy of SocialTimes | RSS Feed

Periscope Goes Batty For Halloween, Introduces A Themed Heart

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The Sims FreePlay Gets ‘Monsters and Magic’ Halloween Update

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Article courtesy of SocialTimes Feed

Popular Halloween Costumes on Instagram, By State (Infographic)

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Article courtesy of SocialTimes Feed

Family Guy: The Quest for Stuff Receives Major ‘Star Trek’ Event

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Family Guy Star Trek

TinyCo, Fox Digital Entertainment and CBS Interactive have announced a limited time content update in Family Guy: The Quest for Stuff, bringing the world of Star Trek to Quahog. From now until April 30, players will race to save humanity after the USS Enterprise and its crew travel back in time to protect baby Stewie, whose future self creates a technology which threatens the Borg’s existence.

In this update, players will repair the Enterprise after it takes heavy damage from the Borg, and will explore multiple areas of the ship’s interior, from the Bridge and Holodeck to the Sickbay, Engineering and more. As players complete quests, they’ll meet and unlock various crew members from Star Trek: The Next Generation, including Picard, Data, Worf, Geordi and more, with voices from the actors of the original television series.

As part of this update, gamers can send teams away on missions to other planets, gathering resources and rewards in the process. Back on the Enterprise, players use photon torpedoes to blast enemies and debris into deep space. This event will also see players fighting against Tribbles, which are trying to take over Quahog’s communities, and includes opportunities to meet additional characters from the Star Trek universe, including Captain Kirk.

This isn’t the first major crossover to come to Family Guy: The Quest for Stuff. For example, a 2014 Halloween event brought the world of Ghostbusters to the game. Later in the event, horror villains Freddy and Jason also made appearances.

Family Guy: The Quest for Stuff is available to download for free on the iTunes App Store, Google Play and the Amazon Appstore.

Article courtesy of SocialTimes Feed

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